一部有关芬兰瑞典族作家和插画家及姆明动画形象的创作者图苇·杨松的传记片，电影围绕着图苇·杨松的早期生活而展开，从战时到1950年代中期。电影同时表现了她的个人情感，以及姆明角色和畅销系列小说的创作过程。

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?

Tove and Tooti in Europe is a documentary charting the voyages through Europe of author Tove Jansson and graphic artist Tuulikki Pietilä. 　　It is a lyrical and sometimes hilarious film essay on the "old Europe”, experienced by travellers and observers, of times when people used to wander, share a joke, pause and, sometimes, even stop. 　　The film takes us to Paris, Venice, London, Madrid and Dublin; Iceland, Ireland and Corsica.

The story of a woman who has lost control and self-confidence and an unfortunate sequence of events that may well derail her altogether.

《春天 spring》是一部描述高中生成长经历的影片。只是谈剧情的话未免有些无聊，源于我们也熟悉那样的经历：与朋友在一起时的快乐，对高中生活的一成不变感到烦躁，对进入大学的憧憬等。即便如此，本片以简单而温馨的手法表现了这独特的阶段。虽然主演的挑选让人有点出戏，但不失为抚平一天的不好情绪的好片。

《春天 spring》是一部描述高中生成长经历的影片。只是谈剧情的话未免有些无聊，源于我们也熟悉那样的经历：与朋友在一起时的快乐，对高中生活的一成不变感到烦躁，对进入大学的憧憬等。即便如此，本片以简单而温馨的手法表现了这独特的阶段。虽然主演的挑选让人有点出戏，但不失为抚平一天的不好情绪的好片。

第23届朝日电视台新人剧本大奖从1023部投稿作品里，挑选出松下沙彩创作的剧本《春天！》进行影视化。这部剧以“小论文”为主题，讲述了高三学生的青春恋爱校园故事。原本被认为稳能通过国立大学前期考试的优等生逢坂碧意外落榜，在得知同班男生村濑佑也同样落榜后，她受邀和佑也一起参加仅剩三天就要进行的后期考试小论文特训。面对只有10个录取名额的激烈竞争，性格内向低调的碧和阳光开朗的佑也在探讨写作方法的过程中，渐渐直面内心的真实想法，两颗年轻的心也越靠越近……

擁有幻覺的紅豆以為自己是一臺監視器，每天和管理員狐狸窩在停車場，她監視，動也不動的專心。百無聊賴，直到停車場對面送來一臺自動販賣機。那個每天來投幣可樂的男生叫蘿蔔。他們相戀，相擁孤單，夏季變作春天。直到事故發生，兩人遺忘了彼此，遺忘這段日子。是老天的殘酷亦或老天的溫柔呢，一切像沒發生過，夏的炎熱持續著。